Interlude reveals itself in an ephemeral way from 20,000 hexagons—a recurring shape in Jones Hall—cut out of white-on-white layered aluminum panels. It becomes a place where theater and symphony goers can interact at intermission. Conversly, for those late arrivals to a performance, they can sit and hear the performance through the speakers behind Interlude.  This public artwork was commissioned by the City of Houston for the lobby of Jones Hall.